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| _______________ |  | Happy on digital III | Here we go again:
DIGITAL:
FILM (manual scan, less sharp, more hues):
The same photo, but this time default scan from studio (less hues, more sharpness):
An other one where film qualities really shine:
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| _______________ | | Happy on digital II | This is a portrait I've done on digital and Kodak Portra 160VC at the same time. Kodak film was medium format inside a Mamiya 645 camera with 80 mm lens while Canon EOS 5D mkII had an equvalent 50 mm Sigma 1.4 lens. Both cameras used the same settings and yet what I get is fairly different. In case of digital I used "Sunny" setting for white balance. I did some color correction work on digital (removed a lot of the reds and adjusted the levels), while on film only removed traces of dust.
Yet film remains superior. The amount of detail both in shadow and in highlighted area is amazing. If it only wasn't so expensive.
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| _______________ | | It is out | Finally the book on Virtual space is out. Yesterday we had quite a party and hopefully this book will be as successful as it deserves.You can order it from the official site (link above).
The book
And its author, dr. Or Ettlinger | | |
| _______________ |  | Kras | Ekskurzija na Kras
Voja | | |
| _______________ | | On taste | There are many ways of how to define creativity and its finest results. It probably depends on how you look at it, but I like the idea that each creative output is a product of motivation, skill and taste. Motivation keeps you going, it makes you (wanna) do stuff and it is pretty clear that without the motivation any creativity is nonexistent. Then you must have skills. You must know your devices as well as you possibly can. Despite the obvious talent, it would be impossible for Elton John to compose a song without mastering the piano. Or Michelangelo to sculpt something like David without being really good with stone. This is why every art form calls for constant and fanatic practice.
A lot of people are motivated. They desperately want to do art or science. Some of them learn the skills. But very few have the taste to know in which direction aim their creativity. Taste can be understood as a set of values that guide you trough the process of creation. Even in most trivial of situations you can spot the lack of taste immediately. There are many people who clearly have enough clothes, but they combine them in the wrong way. It is not the lack of clothes that makes them look like clowns, it is the lack of taste. It is the lack of taste to blame that many technically good painters never go beyond what it is sold on the beaches or postcards. It is the same for photography. They are motivated, they have the technical skill, but they don't know what is really good so they aim too low.
So how to acquire a good taste? In my experience this happens with constant criticism. You must put your work under the scrutiny of yourself and others. You might get hurt, but that is a good thing. Bad feelings fade away, the lesson remains. You must also see and judge as many other works as you possibly can (this doesn't necessarily involve informing your peer about the opinion). If you are an architect you should devote at least some part of your every day to review other architects' work. When I was a freshman, a very dear very professor said: "A day without looking at an architectural magazine is a lost day." Today I know how right he was. By looking at magazines you develop a clear taste of what is good and what is not. You later apply that taste to your own work. Without the taste your motivation and skills are simply misguided into wrong directions. And this goes not just for design or arts, it is true for every activity. Because of that many good works of art are very simple and resourceful. You don't need a huge budget to create something original. You don't need many resources. But you need a good taste for it. ;) | | |
Panasonic Lumix LX5
The LEICA SUMMILUX-M 35 mm f/1.4 ASPH.
Sigma APO 120-400mm F4.5-5.6 DG OS for Sony and Pentax
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